Recording Studio
Six rooms · one facility · open 24 hours

Writing CampsSix rooms on one floor in Los Angeles

A camp only works when the rooms are steps apart and nobody is watching the clock. MIX Recording Studio hosts writing camps in a six-room facility at 539 S Rampart Blvd, Los Angeles, with all six rooms on one floor, open 24 hours, parking on site, an engineer in any room that wants one, and the whole camp quoted as one package.

MIX PRO vocal room at MIX Recording Studio in Los Angeles A producer and a writer working side by side at the console during a session ZOOM I vocal room, part of the same Los Angeles facility

Two of the six rooms, and a session in one of them. 539 S Rampart Blvd, in Westlake, just west of Downtown Los Angeles.

6rooms, one floor
24/7open, overnight included
Packagequoted per camp
On siteparking and load-in

Why a camp runs well here

Six rooms, one hallway

All six rooms sit on the same floor, so writers rotate and producers float between them on foot. A hook cut in one room is in the next room a minute later, with no driving across Los Angeles between sessions.

A flagship vocal chain

MIX PRO runs a Sony C800G into a Neve 1073 into a Tube-Tech CL1-B, so the lead vocal never has to wait for a better room. See the room

Open 24 hours

Camps do not end at six. The facility runs around the clock, and overnight hours are part of the package rather than a favour you have to ask for.

Open your session in any room

Pro Tools, Logic, Ableton and FL Studio with an Arturia MIDI keyboard in every writing room, so a producer changes rooms without rebuilding a setup.

Rooms that fit the crew

Five to six people per room, so a writer, a producer and the artist work together without anyone standing in a doorway.

Parking and load-in

Parking on site, and street-level load-in with a commercial elevator up to the floor, so keyboards, guitars and crew gear do not go up a staircase.

The six rooms

MIX PRO, the flagship vocal room
Flagship

MIX PRO

Sony C800G into a Neve 1073 into a Tube-Tech CL1-B. The room you put the lead vocal in when the demo has to sound like the record.

MIX I vocal room
Vocals

MIX I

The second cutting room, so two writers can track at the same time without queuing for the flagship.

MIX III voice and podcast room
Content

MIX III

Voice and podcast room with cameras. Good for camp content, interviews and reference vocals while the writing rooms stay busy.

MIX IV creative room
Late writes

MIX IV

The late-write room. Same session rig as the others, set up for the part of the night when the song finally turns up.

ZOOM I vocal room in the same facility
Same facility

ZOOM I

Neumann U87 vocal room. Where demo passes and second vocal chains happen while the flagship stays busy.

ZOOM II creative suite in the same facility
Same facility

ZOOM II

Late-night creative suite. The sixth room when the camp is at full strength, and the one that tends to stay busy after midnight.

What the floor looks like in use

These are sessions in these rooms, not stock photography. A camp is the same thing at six times the scale.

A band tracking live, drums and guitars, seen from the control room A crew working together in one of the rooms between takes A producer and a writer working at the desk during a session

MTV filmed a show in these rooms

MIX was selected as the production location for MTV's nationally broadcast show Becoming a Popstar. Artists wrote and cut songs in these rooms while the show filmed, which is what a camp does, with cameras in the room. MTV's page for the show.

How a camp runs here

1

Tell us the dates and the headcount

How many writers, how many producers, how many days. We check all six rooms against the calendar in one pass.

2

We hold the rooms together

Rooms are blocked as one booking, so the camp is not competing with walk-in sessions halfway through day two.

3

Engineers where you want them

Put an engineer in the rooms that are cutting and leave the writing rooms self-directed. You are not paying for six engineers.

4

Files out the same day

Stems and sessions delivered per room, per day, so nothing waits until the camp is over.

How camp pricing works

Camps are quoted as one package, not by adding up hourly rates. What moves the number is how many rooms run at once, how many days, which days of the week, and whether you are running daytime, overnight or both. Longer and larger camps cost less per room hour.

Rooms at once

Two rooms or all six. The more of the floor the camp takes, the better the package.

Days

A two-day writing block prices differently from a two-week camp.

Which days and hours

Midweek and overnight hours are priced lower than Friday and Saturday daytime.

Engineers

Added only to the rooms that are cutting, not to every room by default.

Camp questions

How many rooms can we actually take?

All six. MIX has four rooms and ZOOM has two in the same facility at 539 S Rampart Blvd, Los Angeles, CA 90057, and all six are on one floor, so a camp can run the entire floor without anyone leaving the building.

Can the camp run overnight?

Yes. Overnight blocks run midnight to 9am and carry lower rates than daytime sessions.

Do we have to take an engineer in every room?

No. Rooms can run self-directed during the day, and you add engineers only to the rooms that are cutting.

Is there parking for the crew?

Yes, on site. Load-in is at street level and there is a commercial elevator up to the floor, so heavy gear is not carried up stairs.

Plan your camp

Send the dates, how many writers and producers, and how many rooms you want running at once. We come back with a hold on the rooms and one price for the whole camp. No card and no deposit at this stage.

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